T8vK4TUk0/hqdefault.jpg' alt='Rig N Roll Game' title='Rig N Roll Game' />A guide to this television series with episode descriptions, original air dates, cast listing, writers and directors. For the past five or more years, anglers across the midwest have been exposed to the Slow Death fishing rig. It is very easy to get overwhelmed with the. ClaimBitcoin is the Bitcoin generator that everyone has been waiting for. Currently it is the only working Bitcoin generator out there, and at the moment it can. Roll on down. Ask a friend, ask your phone were not hard to find. Lane7, 8090 St. James Boulevard, Newcastle Upon Tyne, NE1 4BN. Find us on Google Maps. Simongriggdotinfo Zodiac Records. I dont think theres much argument that Eldred Stebbings Zodiac label, which operated under that name, and then as Key, from 1. Stebbings Studio page erroneously stated until recently now fixed to the early 1. New Zealand. Eldred and a member of The Hi Revving. Tongues during a recording break at. Saratoga Ave. Photo courtesy Bruce Coleman. There was, of course, an earlier label operated by the Stebbing family under that name, which released 7. Eldred and brother Phil worked as partners until 1. August 1. 95. 7 when Eldred started releasing discs on his own. Thereafter it was Eldred, with wife Margaret, and, later, his sons who owned the labels. The Texarkana Gazette is the premier source for local news and sports in Texarkana and the surrounding Arklatex areas. Daily paper. Local, state, and wire news and commentary. Photo galleries, business and obituaries. His sons, Robert Vaughan, still do in 2. Not only did Zodiac record and release countless important New Zealand acts, they also provided recording facilities to many other acts that appeared on other labels, both in Eldreds basement studio at 1. Saratoga Avenue, Herne Bay, and, after 1. Jervois Road, Herne Bay studio, which they still occupy. They were, with like minded pioneers like Phil Warren and the earlier TANZA and contemporay Viking and Allied International, the beginnings of a New Zealand owned recording industry which has exploded in the decades since. Before Saratoga Ave recordings were done in the Stebbing home in Methuen Rd in Avondale, a hall in Mays Rd in Mt. Roskill, the Pacific Building in Aucklands Queen Street where the ASB now is near Wyndham Street and just about anywhere else Eldred could fit his Grundig recorder. They were the first New Zealand label to have an identity outside the national shores, and the first to have a number one anywhere else. Throughout the years Eldred was very, very, hands on he built the equipment, he managed several of the bands, selected songs, produced or co produced most of the records on this page, and owned clubs where the acts played. Independent music in NZ owes a huge, often unrecognised, debt to Eldred Stebbing. Indeed, there are many in the NZ industry who felt that it was an unforgivable oversight that Eldred, who died late in 2. New Zealand Music Hall of Fame, in 2. Biohazard 1 5 Psx Rom here. Id agree with that sentiment. The catalogue is filled with iconic New Zealand singles and songs that have become part of the national landscape, and its obvious that taking risks was a big part of what Eldred did, whether consciously or instinctively. But for all that, the catalogue below is patchy in places there are many singles that make the casual viewer step back a little, but I guess there were bills to pay, and Eldreds obsession with the novelty and the MOR often turned into huge money spinners. And the Hawaiian fixation of the early years apparently was reflected in the crowds at the dance halls in Auckland in the late 5. Eldred Stebbing the Cmon Studios in Aucklands Shortland Street. Which makes another point despite the presence of big non Auckland names on the roster, this was primarily an Auckland label, with many of the singles from 1. Auckland beat club scene that Eldred both had an interest in, as a club owner, and was immersed in. Some of these singles were never available outside the Auckland area. And its from 1. 96. One wonders who wouldve recorded many of these acts if Eldred hadnt. The answer is mostly no one, as the other labels that followed were all very much in the shadow of Zodiac. Not enough credit is given to Englishman John Hawkins who, with Eldred engineering, produced many of the crucial tracks of the sixties and gave them that edge and attack that still sets them apart. Witness the famed intro on How Is The Air Up There, or the timpanis on Till We Kissed recorded upstairs at Saratoga because they couldnt get downstairs into the custom built studio. Ive not tried to provide extensive bios for those acts, for that Id point you at Audio. Culture, John Dixs Stranded In Paradise, Roger Watkins mighty books, Hostage To The Beat and When The Rock Got Rolling, and John K Smiths Just For The Record all four sadly out of print at the time of writing. Some acts though, simply defy my research, especially as Im outside NZ much of the time but I am adding and updating as I go. And Ive not gone beyond the Zodiac singles roster, the z 1. Key singles are harder to track down having Festival numbers, mostly. This does, however, include the Viscount label singles indicated by a Viscount next to the catalogue number, which was a sub label owned and operated by Gary Daverne, Eldreds cousin, under the wing of Zodiac and was, I understand, partailly funded by Zodiac. A Zodiac 7. 8 from the late 1. Also included are The La De Das and other singles Eldred licensed to Philips in NZ, as these may not have carried the logo but are Zodiac releases and this list would be incomplete without them. Programme Wbfs En Iso. For the trainspotter, the catalogue prefixes on the singles varied over time. Z4. 5 on 7 singles was the most common, but Z alone also used on the 7. Z4. 5, Z no dash and other variations were common, some records using several on different pressings. To simplify matters Ive just used Z. The earlier 7. 8 series the ones from the 1. Z 1. 00 upwards. However, later 7. And there are are one or two cases of duplicate numbers being given to 7s. There are some records that appeared on Zodiac Icon mostly the Keil discs and others on Zodiac International, but the division and tagging seems to have been at best random. There was also a Zodiac International label, existing outside this series and seperate to the Zodiac International that appears here on a few discs which released foreign acts, including James Brown and Tom T. Hall. They were in the ZISP5. There are inevitable mistakes here, especially on the early releases, but Ill correct as they come to light. The single images are mostly of my copies Ive got many more but theyre unscanned to date but Ive borrowed one or two, however since these were publicly released records Im hoping thats not an issue. A Zodiac bag from the early 1. Icon sub label. One needs to take the term chart or hit here with a large grain of salt. Many of these records sold very large numbers both by the standards of the day and, more, by those of today. But the charts as an accurate representation of what was being sold in NZ didnt exist during the Zodiac era. They were mostly complied by radio and media and reflected what was being played on radio or personal bias. Many of these big sellers, most in fact, hardly hit a sales chart but were public hits and regarded as such. Radio in NZ needs to hang its head in some shame at the way it treated NZ popular music through to the forcing of its hand by the Labour government in the 2. This too, is completely unofficial. Ive had no contact with Stebbings, the family or anyone else, partially as I thought that might or might not taint the words below, if it was to be officially sanctioned and groomed as such. But to the Zodiac singles Z 1. The Hulawaians Hawaiian Rocknroll Isle Of Fair Hawaii1. The first release and Im unsure if these first few releases were from late 1. Stebbing began the label, in his Avondale home, or early 1. What I do know is that Phil Stebbing, Eldreds brother, co wrote this. Eldred seemed fascinated by the Hawaiian sound that the likes of Les Paul and many others championed. And the sound had some resonance with the large, and growing, Polynesian audiences filling many of the live venues around Auckland at the time. Local News, Sports and Things to Do.